How Goddess channels value and viability


The Breeders’ Cup is another reminder of how our whole business depends on a delicate balance. On one hand, we need the kind of big games that the Barnmates Gamine (Into Mischief) and Corniche (Quality Road) made that went for 1.8 million and 10 million respectively. But we also need these Goliaths to be humiliated from time to time by a little guy with a noose. If the derby was won by a best seller every year, the pyramid of blood values ​​would not be justified; it would collapse. Because it is important that every dreamer at every level feels like they have a chance.

We saw that on Wednesday TDN, with the man who bred four of the best pups of the year from mares, which cost a total of $ 32,400. In light of this, the larger farms may wonder whether their expensive pursuit of perfection sometimes contains the seeds of their own ruin. It’s a tough world out there, for the horses we breed, we may put so much emphasis on aristocratic glamor – breeding, elegance, any comfort in upbringing – that we risk introducing an element of tenderness or grace.

An even more uncomfortable challenge, however, is presented to those talent scouts who spend a lot of money on wealthy patrons. I have often heard riders anxiously complaining that they have to find an owner for a beautiful horse that costs too little to be offered to a customer with a much higher budget: “They just ask why no one else wanted it. “But the fact is that nobody“ discovers ”an oil painting with a stallion side. With these, all that matters is how deep the prospectors are willing to dig the blatant seam. How few of these guys stay there for the scraps of a sale, ready to back up their judgment on a rough diamond.

You might attribute this to a lack of diligence or patience. But I would rather attribute it to a lack of nerve. It probably takes more courage, more self-confidence to offer a tycoon a cheap horse from the second week of September sales than to buy a seven-figure knockout in Book I.

So I take off my hat in front of the man who bought Gamine, Donato Lanni. He has rightly won some pretty powerful clients over the years by applying the lore inherited from John TL Jones to long connections with John Sikura and, most recently, Bob Baffert, his resume has been recognized by three winners of the Breeders’ Cup Classic in Authentic ( Into Mischief) excellent. Arrogate (Unbridled’s Song) and Bayern (Offlee Wild). But the man who bought Gamine can also be credited with one of the big bargains in this year’s Breeders’ Cup cast, Mark Filly of GI Maker and Mare Turf’s favorite War like a goddess (English channel).

Fittingly, he bought this filly – for $ 30,000 from OBS June – for the client who got it rolling, George Krikorian, who in 1999 allowed Lanni to roll the dice on a $ 35,000-year-old Dynaformer filly. She became a millionaire and multiple winner of the Grade I Rigid; and War Like Goddess threatens to complete the circle after winning for the sixth time in seven starts on her debut in Class I at Flower Bowl S.

This is one of those horses that leave a bunch of people standing on the riverbank, lonely looking at the free hook at the end of their leash, and lamenting the escaped.

Bred by Calumet, the home of her chronically undervalued father, she was first sold as a wean for just $ 1,200 in Keeneland’s November 2017 sale to Falcon L&L Stables / Lawrence Hobson. It was offered in the same ring the following September but was returned as $ 1,000 RNA and reappeared on OBS for Hemingway Racing & Training Stable in June, scoring: 10 2/5. Step forward to Lanni with HND Bloodstock to increase her value to $ 30,000.

The agent has described his curiosity to find this “tall, lanky” sticky guy in a sale like this one. He felt she just needed time – and an owner who would give her just that. Krikorian was the right man and Bill Mott the right coach. In fact, War Like Goddess didn’t reappear until September of the following year, but she hasn’t looked back much since then.

There will be people who similarly accuse themselves of the odyssey of their mother Misty North (North Light {Ire}), who won a maiden claimer on Golden Gate Fields in 11 starts for breeder Judy B. Hicks after she was kept as a $ 10,000 yearling. Calumet picked her up on retirement for $ 30,000, carried a first Cape Blanco (Irish) foal that never came out and covered it with Red Rocks (Irish). The resulting yearling only made $ 2,000 before winning a number of claims, but her next foal is War Like Goddess, who went unchallenged when Calumet Misty North with a Bal a Bali (Brz) colt at the Keeneland November Sale two years ago killed. (They tried to do this at the same auction the previous year, but they couldn’t place a single bid.)

Misty North – who was still only nine years old – was bought for $ 1,000 by Charles Yochum, who took her home to his ranch in Texas. The other investor who has undoubtedly watched the rise of War Like Goddess with amazement is Matt Ferris, who bought Misty North’s weaned filly from Red Rocks for $ 5,000 in the same catalog.

However these particular investments have paid off, now that they affect the mother and half-sister of a Breeders’ Cup favorite, they reaffirm our inaugural premise. We all need to feel like we have a chance.

Given the family’s commercial troubles up to this point, it’s worth making a few points about the things that everyone but Lanni is missing.

The first is a pretty poignant one. Because War Like Goddess will likely have to repeat her racetrack excellence in her next career to preserve any legacy for her damfather who won the 2004 Derby for one of the then leading European cultivators of Classic blood, Ballymacoll Stud, before moving from. Adena sources were imported.

We’ll have to wait and see if North Light will prove that the last Epsom Derby winner has retired to Kentucky – a deeply depressing prospect when you think of the race-shaping effect of so many predecessors here, from inaugural winner Diomed to Blenheim to Roberto, but very good possible given the antipathy of the U.S. commercial market towards turf stallions (not to mention remaining turf stallions). But North Light proved unable to stem the tide, although access to his father, the great international influence Danehill, had been a rarity in Kentucky. A hiking career that included Ontario, a return to Newmarket, and California obviously did not pull back on a mother who, despite being a Group 1 winner herself, marketed that award over a distance (two and a half miles!).

Granted, the pedestrian production record of her grandmother, an unbred daughter of Victory Gallop, may have gotten through to War Like Goddess by the third mother Romanette, a daughter of Alleged and Laughing Bridge (Hilarious), who completed the Schuylerville-Adirondack double in 1974 Romanette made several placements in tiered stakes before proving to be a useful producer in Europe, where she had two Group 1 sons in Blush Rambler (Blushing Groom {Fr}) and Tendulkar (Spinning World).

Overall, however, it appears that the main genetic credit for War Like Goddess is due to her father. He’s having another wonderful year, cementing his first domestic turf championship last year, and making it very difficult, even for those of us who have long admired Kitten’s Joy, to deny that as the English Channel approaches the evening of their careers together, possibly overtaken him as the best weed stallion in America – although he has so far been less than half the fee. The fact is that their lifetime percentages now favor the English Channel in all indices as well as by profit per starter.

War Like Goddess is one of three Grade I winners, eight stakes winners, and 21 black performers for the English Channel in North America and Europe this year. Kitten’s Joy has admittedly had a quiet campaign (none, one, and 14 in these categories) to the standout standards that earned him two general sire champions, but he made up for it again with his remote son Tripoli, a live long shot in the GI Longines Breeders’ Cup Classic himself. He has a lot of ground to make up for Medina Spirit (Protonico) at the rehearsal in Santa Anita, but he had a long journey that day, gets Irad and returns to the track and distance of his best hour the GI TVG Pacific Classic back; while the winner for his part should expect significantly more competition in the run-up this time.

To get back to its rival, however, we must salute the English Channel as a bulwark of precisely the genetic virtues – such as durability and longevity – that are most needed by the breed today. He doesn’t have the price warrior build that comforts commercial growers, and his median for his newest yearlings is dead with their $ 30,000 conception fee. Exactly the same, in other words, as Messrs Lanni and Krikorian gave for War Like Goddess as an adolescent to have.

And here she is, preferring to beat the Europeans at her own game. Mind you, her well-known nearsightedness in relation to filthy sires apparently extends even to such outstanding US lawn stallions as English Channel and Kitten’s Joy (despite the immense influence the latter had from limited opportunities, particularly with the tragic champion Roaring Lion).

But that brings us right back where we started. Because if our industry finds its critical energy in the fact that everyone has a chance, then it is often based on the fact that commercial breeding is so nervous about the sales ring and not the racetrack. This can be very good for the breed in the long run. In the meantime, however, it allows players like the English Channel to help out the smaller players suffering the curious delusion that it might be nice to have a horse that can actually run.

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